Great talent in great darkness-Sylvia Plath's Personality

The concomitant that "the buzz off . . . asserts his rights differently in the case of girls and boys" is an important point which Freud's theory bypasses. In the case of Sylvia Plath (Esther Greenwood) I believe part of what her problem entailed was the fact that, because of his early devastation, her forefather did not fully intervene in her mother/daughter relationship. Sylvia was left to imagine what her relationship to her father would fuck off been had he lived:

I thought that if my father hadn't died, he

would gestate taught me all about insects, which was

his specialty at the university. He would also

acquit taught me German and Greek and Latin, which

Whether Sylvia's father would have had such an quick relationship with his daughter, with no emotional/sexual overtones, is irrelevant. What matters is that after his death this is the way Sylvia visualized how the relationship would have been. Sylvia's ambitions in indoctrinate - her push towards grades, education, writing, etc.

can be seen as a direct result of trying to be worthy of her father - trying to be the person she felt her father would have wanted her to b

Views of Femininity, ed. by blue jean Strouse. New York:

Grossman Publishers (Viking Press), 1974.

Analysis: Dialogues on Psychoanalytic Views of Femininity,

The artistic answer is . . . distin-

hated it and hated him for dying and leaving

A woman of this display case loves romantic and sensa-

bit, as though wrenched free of some massive

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