'Prospero, Dr. Faustus and the Search for Power'

'In William Shakespe bes The Tempest, and Chri ruinher Marlowes twist around Faustus, Prospero and Doctor Faustus both prosecute in elements of the morose arts, initially to carry out aspirational outcomes. In rules of order to demonstrate precedent, Shakespeare in effect plays with the relationships between verify and handmaid. Many graphic symbols are also locked in a function struggle for the book of the island, rasetually do the abuse of role by just about characters. Whereas, Marlowe presents the master/servant relationship as a inversely beneficial bulk out of choice, preferably than against the will of the servant. However, magical spell Prospero is clearly ameliorate at the arrest of The Tempest, Faustus is damned to the pits and does not sleep together the treasured king that Prospero regains. This may be due to the situation that The Tempest is a typical romanticism play, ending with a clichéd happily ever subsequently, whereas Marlowes Doctor F austus is considered a tragedy due to the main character dying.\nThe power held by The Tempest(s) main protagonist, Prospero, is challenged by the primeval islander Caliban. Caliban recognizes this, and when attempting to despatch Prospero, he wants to occupy his books; for without them / Hes nevertheless a inebriate,... This line presents Caliban as powerful, as he knows the secret to Prosperos power, and also knows how to stop it. However, the fact that Caliban has not acted on this, even when enslaved by Prospero, but instead looks for a god or master shows how he needs soul to guide him.\nProspero is called a sot by Caliban; the word sot refers to a gallant drunkard, someone who is habitually drunk, which presents Prospero as a reckless character. This shows a clear banquet in power between Prospero and Caliban, as the island should belong to the native Caliban, but has been colonise by Prospero, the unconcerned white man. What is elicit is that Caliban only insults P rospero bed his back, but in his presen... '