In Aristotles definition of a tragic hired gun, one moldiness be of an aristocratic stature whose destruction is for a greater cause of principle. Hamlet fits this definition of a tragic hero; his tragic flaw, or harmatia as Aristotle defines it, is his inability to make a decision. We see Hamlet debate his options numerous times throughout the play, most notably in his to be or not to be soliloquy where he contemplates the notion of suicide. Hamlet too has moral tunnel vision; all his actions are found on revenge which causes the death of Ophelia and many other characters in the kingdom. Ophelias life is most notably affected by Hamlet due to the affinity they share, the relationship changes under the percentage due to the death of Hamlets father. Before this their relationship does seem to be built on love and frankness, solely after learning his mothers hand in his fathers murder he perceives all women with the equivalent hatred.
The decisions Hamlet makes causes Ophelia to become a tragic victim, Hamlets demise is bought most by his own hamartia, but as a tragic victim Ophelias demise is bought about by others short comings mainly Hamlets.
Her death can be argued to be Hamlets doing, but Ophelia committed suicide, she must then be held responsible for her own actions and blame should be passed away from Hamlet. The man in Ophelias life seem to control her, this is her human weakness and not having a back bone eventually leads to her death. Her father, Polonius, puts her into a situation of crisis with Hamlet in Act 3 guessing I; at this point in the play Polonius uses her as his puppet so that he can spy on Hamlets actions while he is alone with Ophelia. Polonius has no interest in Ophelias wants or needs. He feels by exploiting his daughter he can better his position in the kings opinion and by that in society.
Ophelia is portrayed by...If you want to becharm a full essay, order it on our website: Ordercustompaper.com
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