In the play No Exit, Sartre examines the question of human beings and essence by means of the actions of Garcin, Inez, and Estelle. Since they have all recently died, they must confront the existence of their consciousness as their physical bodies ar buried on earth. Using each individuals consciousness and the other part of him/herself that observes that consciousness, Sartre creates a situation where each character must ignore or accept the judgment of the other two. For example, when they first meet, Inez says that Garcins mouth looks heinously f compensateened. Since there are no mirrors, Garcin must decide if Inez is right or what he thinks himself is right. In this case, Garcin believes Inez rather than his own judgment. He lets her define his essence, or personal characteristics, and thusly, in Sartres definition, has bad faith.
Sartre uses expounding to introduce his audience to each character by placing them in a strange and unusual situation. Each character thus explains how they died and what they think of their room/hell with out sounding awkward. Sartre also foreshadows many of the major motives of the play in this first section. For example, withal though they are already dead and have cipher to hide each character continues to lie to themselves. Garcin pretends to find the article of furniture shocking, while Estelle pretends that she is in hell by mistake.
Also, Estelles first issue that Garcin was her dead lover foreshadows their future relationship. Because the two lie to themselves, they are acting in bad faith.
Sartre tends to emphasize the theme of self-deception throughout this play. Even though they are already dead, both Garcin and Estelle will not admit to themselves why they are in hell. They have nothing to lose by admitting the truth, only if they are so in the habit of being dishonest...
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