Prose Notes on "Frost at Midnight" By S.T. Coleridge

Summary:

The quiet of night sets the scene for poet to muse and unleash his seminal spirit. All is conducive, ready, but he finds the silence disturbing, and cannot activate his idling spirit. He focuses on the tiny fluttering of the film (the just now accomplishment in the room), and then(prenominal) his memory and resource takes him back in time. He moves through the memories of his school days, when boredom set him on daydreams of his sweet birth-place. He recalls the tiny details of his childhood, and the prevalent spirit of eager anticipation hed then felt for the future. The babys breathing then draws him back into the present, they fill up the interspersed vacancies around and within him, and he is suffused with his love of the babe. He moves into the future with an evocation of his hopes for the child to be nurtured by nature, to be immersed in natures beauty and terror that he learns to love each aspect of Gods creation, which will inturn feed his imagination and lead him to higher understanding.

Stanza-by-stanza Analysis

In stanza one, Coleridge portrays the heavy shroud of silence thats befallen everything in deep of night, whilst focusing on the abundance of activity in Nature despite the apparent calm that he could only perceive.



The overwhelming stillness is established through lines like unhelped by any wind, solitude, all at respite. The hoot of a small owl seemed a beef, shattering the silence with a ferociousness that shocks the persona, eliciting from him a stuttered ecphonesis -and hark, again!. This contrast dramatises the extremity of the silence. The fact that Natures peace is break up by another aspect of it demonstrates its cyclic, regenerative processes of self-destruction and rebirth.

The use of the run-in secret ministry to depict the work of...

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