Sandro Botticelli’s La Primavera

This painting, La Primavera, meaning The Spring, by Sandro Boticcelli immediately stir cerise me from the moment I first saw it.

Sandro Boticcelli was an Italian conversion painter who lived and worked in Florence. Boticcellis paintings are distinctive for their intense, thus far delicate use of colour and poetic outlook. Boticcelli never try to capture the human body according to the laws of anatomy, but sooner used complex moral allegory, earthly grandeur and well-favored fictionological pictures, to convey his attitude to life.

The painting is a comely allegory of spring set in a hayfield of f imposes and trees. The trees form part of a flowering orange plantation - corresponding to the sacred garden of the Hesperides in Grecian myth - and each small white blossom is tipped with favorable. luxurious is used throughout the painting, echoing the divine status of Venus, and accentuating the witness of the spring. Each dark green leaf has a gold spine and outline, and the tree trunks are highlighted with short cut lines of gold.

From right to left the first figure is Zephyr, (his name is Greek for west-wind) bursting through the trees and chasing Chloris the nymph of nature and making her fertile. From their confederation Flora, the goddess of vegetation is born.



She wears a garland of myrtle (the tree of Venus), and she scatters red and white roses from the lap of her lavishly decorated dress as she walks. The dress is embroidered with red and white daisies, and yellow primroses, spring flowers earmark to the theme of spring.

In the center but seemingly supercharge back stands Venus in a white dress, a gold pendant attached to it and a red mask hangs over her bent arm and with the other she drapes it across her lower body. She stands with her head...

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