The late mid-sixties were an unquiet time for American culture because alternate(a) narratives of the clock were being set beside one discredited authorized bosh after another. As early as 1964 the WCR's view of JFK's assassination had been challenged. An early cogent challenge was Mark Lane's Rush to Judgment. That monograph consistently questioned the integrity of the investigation and reports on the case--from procedural/protocol lapses in the Dallas Police Department to Oswald's record with military intelligence to the supposed "magic bullet" theory, which accounted for the trajectory of one shot by setting aside the laws of physics but which became part of the WCR's official story (Lane 69 et passim). More typical of the raft of texts challenge the WCR would be Lifton's overwritten and derivative text that aims to document a get away in the chain of crime evidence, viz., JFK's body, which appears to have been subjected to postmortem (but pre-official-autopsy
Hauser, Thomas. Missing: The Execution of Charles Horman. New York: Simon & Schuster, 1978.
The alternative narrative of the novel is made plausible by the author's discriminating use of historic facts. Early sectarian Christianity was divided surrounded by orthodox, ritual/observant/legalistic adherents who came under the ecclesia and the more mystical, wisdom-seeking Gnostics, among whom women had relatively more clerical standing (Pagels passim). Down the centuries, many professed Christians adopted both(prenominal) "minority report" version of Christianity; for example, there is documentation for the social station of such personages as Victor Hugo, Isaac Newton, Leonardo, Alexander Pope, and more as members of the Priory of Sion.
The presumption of the novel is that they were let in on the mystery of the Holy Grail as the child of Jesus and Mary. The historical map to the Grail is available to those clever enough to delineate the clues to it, such as the portrait of a woman, not antic the apostle, in Leonardo's Last Supper--a deviation from traditional artistic recital of the paining. Leonardo's ubiquitous use of ciphers and arcane writing techniques is further nutrition for his veneration of a secret--in particular, the sacred feminine (Brown 444)--that must be protected from destruction by the Church. Meanwhile, the Church has a spot in keeping the truth of the Grail a secret, for friendship of Jesus' marriage to the Magdalene could disrupt the Christian faith entirely. It links to pop-culture junto in that the stakes for established institutions are high. Should the Church be implicated in suppressing the sacred feminine, its entire structure would be revealed as a house of cards--just as the fraud of the Tonkin disconnect Resolution would reveal the rationale for U.S. involvement in Vietnam as a fraud, the revelation of taped conversations would expose the shabby ungodliness in the Nixon White House, or revelation of U.S. involvement in a Chilean coup would expose the corrupt n
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